Synopsis
Ranging from absurd to profound, these Western vignettes from the Coen brothers follow the adventures of outlaws and settlers on the American frontier.
Metrics
Movie Details
Domestic Releases: | November 8th, 2018 (Oscar Qualifying Run) by Netflix |
International Releases: | November 9th, 2018 (Limited) (United Kingdom) |
VideoRelease: | November 16th, 2018 by Netflix |
MPAARating: | R for some strong violence. (Rating bulletin 2546 (Cert #51695), 9/26/2018) |
Running Time: | 133 minutes |
Comparisons: | vs. 22 July Create your own comparison chart… |
Source: | Compilation |
Genre: | Western |
ProductionMethod: | Live Action |
CreativeType: | Historical Fiction |
Production/Financing Companies: | Annapurna Pictures, Netflix |
Production Countries: | United States |
Languages: | English |
Weekend Box Office Performance
Daily Box Office Performance
Weekly Box Office Performance
Box Office Summary Per Territory
Territory | Release Date | Opening Weekend | Opening Weekend Screens | Maximum Screens | Theatrical Engagements | Total Box Office | Report Date |
---|---|---|---|---|---|---|---|
United Kingdom | 11/9/2018 | $0 | 0 | 0 | 0 | $0 | |
International Total | $0 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenueare available through our research services. For more information, please contact us at research@the-numbers.com.
Tim Blake Nelson | Buster Scruggs |
Willie Watson | The Kid | |
Liam Neeson | Impresario | |
Zoe Kazan | Alice Longabaugh | |
James Franco | Cowboy | |
Brendan Gleeson | Irishman | |
Tom Waits | Prospector | |
Tyne Daly | Lady | |
Grainger Hines | Mr. Arthur | |
Saul Rubinek | Frenchman |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Ethan Coen | Director | |
Ethan Coen | Screenwriter | |
Joel Coen | Screenwriter | |
Ethan Coen | Producer | |
Joel Coen | Producer | |
Megan Ellison | Producer | |
Sue Naegle | Producer | |
Roderick Jaynes | Editor | |
Carter Burwell | Composer | |
Bruno Delbonnel | Director of Photography | |
Mary Zophres | Costume Designer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
February 24th, 2019
It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...
February 24th, 2019
It’s Oscar Day, and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I would be happy with half of the Best Picture nominees winning. More...
February 19th, 2019
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two Screenwriting Categories, starting with Best Adapted Screenplay, which is not among the most competitive categories, but it isn’t inconceivable that there will be an upset. More...
January 23rd, 2019
The Oscar nominations were announced yesterday starting at just after 5 am Pacific time. They do this every year for reasons no one has been able to adequately explain to me. Because it was the day after a long weekend, it took a bit of time to get all the normal work done and digest the results. And there were some interesting results to digest. No one film led the way with total nominations, as two films, The Favourite and Roma tied with 10 nominations each. More...
January 12th, 2019
The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here. More...
December 12th, 2018
The Screen Actors Guild were the third group to announce their nominations for this awards season. There’s not a lot of surprises on this week’s list. A Star is Born led the way with four nominations, while The Favourite was right behind with three. More...
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- Trailer
Synopsis
Ranging from absurd to profound, these Western vignettes from the Coen brothers follow the adventures of outlaws and settlers on the American frontier.
Metrics
Movie Details
Domestic Releases: | November 8th, 2018 (Oscar Qualifying Run) by Netflix |
International Releases: | November 9th, 2018 (Limited) (United Kingdom) |
VideoRelease: | November 16th, 2018 by Netflix |
MPAARating: | R for some strong violence. (Rating bulletin 2546 (Cert #51695), 9/26/2018) |
Running Time: | 133 minutes |
Comparisons: | vs. 22 July Create your own comparison chart… |
Source: | Compilation |
Genre: | Western |
ProductionMethod: | Live Action |
CreativeType: | Historical Fiction |
Production/Financing Companies: | Annapurna Pictures, Netflix |
Production Countries: | United States |
Languages: | English |
Tim Blake Nelson | Buster Scruggs |
Willie Watson | The Kid | |
Liam Neeson | Impresario | |
Zoe Kazan | Alice Longabaugh | |
James Franco | Cowboy | |
Brendan Gleeson | Irishman | |
Tom Waits | Prospector | |
Tyne Daly | Lady | |
Grainger Hines | Mr. Arthur | |
Saul Rubinek | Frenchman |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Ethan Coen | Director | |
Ethan Coen | Screenwriter | |
Joel Coen | Screenwriter | |
Ethan Coen | Producer | |
Joel Coen | Producer | |
Megan Ellison | Producer | |
Sue Naegle | Producer | |
Roderick Jaynes | Editor | |
Carter Burwell | Composer | |
Bruno Delbonnel | Director of Photography | |
Mary Zophres | Costume Designer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
February 24th, 2019
It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...
February 24th, 2019
It’s Oscar Day, and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I would be happy with half of the Best Picture nominees winning. More...
February 19th, 2019
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two Screenwriting Categories, starting with Best Adapted Screenplay, which is not among the most competitive categories, but it isn’t inconceivable that there will be an upset. More...
January 23rd, 2019
The Oscar nominations were announced yesterday starting at just after 5 am Pacific time. They do this every year for reasons no one has been able to adequately explain to me. Because it was the day after a long weekend, it took a bit of time to get all the normal work done and digest the results. And there were some interesting results to digest. No one film led the way with total nominations, as two films, The Favourite and Roma tied with 10 nominations each. More...
January 12th, 2019
The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here. More...
December 12th, 2018
The Screen Actors Guild were the third group to announce their nominations for this awards season. There’s not a lot of surprises on this week’s list. A Star is Born led the way with four nominations, while The Favourite was right behind with three. More...
Weekend Box Office Performance
Daily Box Office Performance
Weekly Box Office Performance
Box Office Summary Per Territory
Territory | Release Date | Opening Weekend | Opening Weekend Screens | Maximum Screens | Theatrical Engagements | Total Box Office | Report Date |
---|---|---|---|---|---|---|---|
United Kingdom | 11/9/2018 | $0 | 0 | 0 | 0 | $0 | |
International Total | $0 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenueare available through our research services. For more information, please contact us at research@the-numbers.com.